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REVIEW: Sequins, sass and survival as Priscilla struts into Manchester

The 30th anniversary tour of Priscilla Queen of the Desert has arrived at the Palace Theatre in Manchester, bringing disco anthems, striking costumes and a story rooted in love and resilience to the city until 28 February 2026.

Based on the Oscar winning 1994 film, the musical follows Bernadette, Tick also known as Mitzi, and Adam also known as Felicia, as they travel across the Australian outback in a weathered bus called Priscilla. Their destination is a performance booking in Alice Springs, but the journey proves to be just as important as the show itself.

This latest touring production balances spectacle with substance. Alongside its high energy dance routines and jukebox soundtrack, the show explores themes of parenthood, grief, prejudice and belonging.

Kevin Clifton takes on the role of Tick. Known to many from Strictly Come Dancing, he delivers a performance that combines technical precision with emotional depth. His portrayal of a father reconnecting with his young son adds weight to the story, particularly during a powerful rendition of MacArthur’s Park which drew a strong response from the audience.

Adèle Anderson brings poise and sharp wit to Bernadette, the elegant and resilient former Les Girl navigating life and love with hard earned wisdom. Her performance anchors the trio, offering moments of quiet strength alongside well timed humour.

Nick Hayes plays the flamboyant and outspoken Felicia. His stage presence is bold and assured, but there is vulnerability beneath the bravado. The character’s experiences of hostility and rejection are handled with care, without losing the show’s sense of joy.

The Divas, portrayed by Leah Vassell, Bernadette Bangura and Jessie May, provide the live vocal backbone of the production. From It’s Raining Men to I Will Survive and Girls Just Want To Have Fun, the soundtrack keeps the audience engaged throughout. The ensemble cast deliver tightly choreographed routines under the direction of Ian Talbot and choreography by Matt Cole, with costume design by Vicky Gill adding layers of colour and creativity.

The production does not shy away from depicting discrimination faced by the characters. Moments of aggression and intolerance are shown as part of the wider narrative, but they are counterbalanced by humour, solidarity and ultimately acceptance.

By the final number, the Palace Theatre audience was on its feet, turning the closing sequence into a full theatre celebration.

Priscilla Queen of the Desert runs at the Palace Theatre, Manchester until 28 February 2026.

Get your tickets from ATG tickets here; https://www.atgtickets.com/shows/priscilla-queen-of-the-desert-the-musical/palace-theatre-manchester/

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